Inverview with Danny Cohen
By Jim McGrath and Jessica Netishen
Danny Cohen’s newest release, We’re
All Gunna Die (Epitaph/ANTI-, 2005), is currently a top contender
for AvoidPeril’s Top 8 “Albums to Listen to When You are Alone and
Inebriated.” But that’s not all Cohen’s album is a good soundtrack for
– it’s an engaging listen, full of lyrical twists and musical turns…it’s
an album that keeps you on your toes. Mr. Cohen was kind enough to
answer a few questions about his lyrics and his writing process, and
even solved the mystery of how to fit a “Cow-Cry” into a modern-day
rock/folk song.
1. Robert Frost seems to hover on
the margins of some of the songs on We’re All Gunna Die. Do you
find yourself reading any particular poets before setting out to work on
an album? Are there poets (of the “literary” sort or the songwriter
category) that you’ve found to be a major influence? How?
I was exposed to Frost in High School,
but the line derived (can't recall now) was more for syntax. His entire
philosophy is subliminally retained. Blake, Keats, Byron, Milton, Dante,
Rimbaud, Breton, Van Vliet, Borges, and Bukowski are all HUGE influences
(not directly tapped or even referenced).
2. Are you as big a fan of film as
the subject of “Film Noir”? If so, where do you like to watch your
movies (late-night theatres, mall crowds, wait for video, etc.)? Are
there any films that you wish someone would re-issue / shine the
spotlight on again?
YES. Minored in film-making, and took
classes such as 'Rhetoric of Film' at UC Berkeley. Made 16 mm
surrealist films. Saw 90% of all Noir; 'Night and the City' with Widmark
fulcrum for that song. All old films should be more readily available on
video (somewhat in shops in big cities). The obscure ones are usually
better and you can't find them. Recent films are weaker in scripts,
acting and cinematography (music, literature and art have also taken a
nosedive). Art house theatres are vanishing in L.A. and S.F. (my venues
of choice and they give discounts).
3. What’s your typical day like? Do
you have a set writing schedule, or do you wait for inspiration to come
to you? Can you work on music and painting / collage work
simultaneously?
Can work in 3 or 4 genres simultaneously
but don't any more because I'm concentrating on music and it dilutes the
potency. I should really be just writing prose (my legitimate gift),
although I have a flair for naive and abstract painting and as a rhythm
rock guitarist. My songwriting is second in skill and I'm peaking there
right now (the vocals I leave to the beholder). My daily routine is
biking 15 mi., hiking 10 mi., cleaning my room, taking care of my mom
and watching TV. My music time is for rehearsing recordings and shows,
so I'm not composing at the moment. I can only compose while
housesitting or in foreign territory ([my] house induces coma and it's
haunted).
4. Will you be touring in support of We’re All Gunna Die?
Only L.A. and S.F. to small audience and
record stores. A salsa band added at 11th hour in L.A. and had to stop
15 min. early, so I made it 25. A reviewer said I was “clockwatching
and anxious to stop.” Young kid reviewers always make assumptions and
try to psychoanalyze you, avoiding musical insights.
5. What was the writing process like
on the album?
Half these songs (on CD) were old, but
selected for thematic AND musical tie-ins for an omnipotent approach (like 60's art-rock). The
actual process varies, but music comes first and lyrics reflect the
chord sounds. Tiny adjustments take most time, but the good songs come
fast and easily (they all say that). 1000s of hours of listening to a
dozen musical genres and 53 years of intense (not always hard) living
are the bottom line (try not to duplicate an exact progression and I've
a photographic memory).
6. I think that many reviewers, in
order to better categorize your music, try to draw a lot of comparisons
between your music and that of other artists. I’ve heard you compared
to Tom Waits, Bob Dylan, Screamin’ Jay Hawkins, and a whole host of
others. Do you think your music can be compared to any of those
artists? Which musicians do you identify with?
All great classical and jazz composers,
blues, 60's rock, before redundancy set in.
7. Are there any new musicians who
are catching your ear? What are you listening to these days?
Hate most all new bands. Listen to
classical mostly and old blues. Told kid in Bright Eyes [Conor Oberst]
he'd be famous (we toured the country together). Bands on late-night TV
have no songs or vocal charisma.
8. This might be kind of a goofy
question, but I’m curious as to what that sound is after you sing the
words “Love, peace” in “Among the Cows.”
A 'Cow Cry'; you turn over the cardboard
rotunda and it moos (in novelty stores everywhere).
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