U2
How to Dismantle an Atomic Bomb
Island / 2004
With the notable exceptions of Pop and Zooropa, U2 have created steady outputs of straight-up rock music for
over two decades. What is perhaps most compelling about this phenomenon
is that on each album, the music sounds startlingly refreshing, even when
it is clearly the work of arguably the world’s biggest supergroup.
2004’s How to Dismantle an Atomic Bomb is no
different. It is unquestionably U2 doing what U2 does best – making
passionate, stadium-friendly rock, with nuances that are unique only to
each of their specific albums. On Atomic Bomb, Bono and Co.
showcase Bono’s emotive vocals and the Edge’s unmistakable guitar work to
great effect, producing a record that manages to both excite the listener,
and serve as evidence of the band’s growing maturity.
Atomic Bomb is alternately contemplative and
manically energizing – the omnipresent “Vertigo” single (which lost none
of its charm even through the tiresome World Series iPod commercials)
seems to have been designed specifically for the maximum amount of
concert-goers fist-pumping and chorus-chanting, while “One Step Closer to
Knowing” (a title that was derived from a conversation Bono had with Oasis
frontman Noel Gallagher) is particularly touching in the light of Bono’s
father’s death in 2001. Instead of writing this song entirely as a
first-person narration of pain, “One Step” features reflective lyrics that
are universal in their application (e.g., “the heart that hurts / is the
heart that beats”).
Although, Bono certainly has not lost his taste for
the personally contemplative – on the beautifully uplifting “City of
Blinding Light,” he ponders, “What happened to the beauty inside of me?,”
while talk of his own place “in the mysterious distance/between a man and
a woman” is the subject of the gently rhythmic “Man and a Woman.”
Regardless of how inclusive Bono’s lyrics are, the
man himself is at the top of his game, along with the rest of his
bandmates. Atomic Bomb is perhaps the most refreshing and candid
release from a band that has spent the past twenty years trying to get to
this point on their musical journey.
-- JN 01/15/05
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